Monday, March 2, 2015

USA Africa Dialogue Series - 12th AMISTAD AWARDEE, CCSU ( 2015)

The AMISTAD COMMITTEE of Central Connecticut State University is proud to announce
that the 12th Amistad Award has been given to Professor Syl Cheney- Coker.

Prof. Gloria Emeagwali (co-chair)
Prof.Olusegun Sogunro (co-chair)
.................................................................

2015 AWARDEE
Professor Syl Cheney-Coker


. Winner of the 1991 Commonwealth Writer's Prize
· Winner of the Folon Nicols Award
· Winner of the Commonwealth Writer's Short Story's Prize
· Writer –in Residence in several universities
· Professor at James Madison University and several Universities
· Latest publication "Sacred River", 2014
· Poetry translated into more than a dozen languages


Books of Poetry/ Novels

· The Road to Jamaica. 2014
Sacred River. 2014
· Concerto for an Exile: Poems. London: Heinemann, 1973.
· The Graveyard Also Has Teeth. London: Heinemann, 1980.
· The Blood in the Desert's Eyes: Poems. London: Heinemann, 1990.
· The Last Harmattan of Alusine Dunbar. London: Heinemann, 1990.

.............................................................................
Abridged Annotated Bibliography
Materials about Syl Cheney-Coker
By Professor Mark L Lilleleht (mllillel@wisc.edu)

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Abley, Mark. "Commonwealth Prize Deserves Higher Profile." The Gazette 9 Nov. 1991: K1.
Bauerle, Richard. "Review of Syl Cheney-Coker's The Blood in the Desert's Eyes." World Literature Today 65.2 (1991): 350.
Berner, Robert L. "Review of Syl Cheyney-Coker's Concerto for an Exile." Books Abroad 48.4 (1974): 835-6.
Bertinetti, Paolo. "Reality and Magic in Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar." Coterminus Worlds:
Magical Realism and Contemporary Post-Colonial Literature in English. Eds. Elsa Linguanti, Francesco Casotti, and Carmen Concilio. Amsterdam: Rodopi, 1999. 197-207.
Bradberry, Grace. "Las Vegas Gambles on New Image As Haven for Dissident Writers." The Times 23 Oct. 2000: 13.
Retrieved from Lexis-Nexis Academic Universe, 1 March 2002.
Brown, Stewart. "Cheney-Coker, Syl." The Oxford Companion to Twentieth-Century Poetry in English. Ed. Ian Hamilton. Oxford: Oxford University Press, 1994. 89.
---. "A Poet in Exile." Index on Censorship 10.6 (1981): 55-7.
Subsequently reprinted in West Africa 3360 (21-8 December 1981): 3055-9.
---. "A Poet in Exile." West Africa 3360 (1981): 3055-9.
Reprint of interview which originally appeared in Index on Censorship 10.6 (December 1981): 55-7.
Bruchac, Joseph. "Cheyney-Coker, Syl." Contemporary Poets. Eds. James Vinson and D. L. Kirkpatrick. 4th ed. New York: St Martin's Press, 1985. 129.
---. "Cheyney-Coker, Syl." Contemporary Poets. Ed. Thomas Riggs. 6th ed. New York: St James Press, 1996. 156-7.
Butscher, Mike. ""Multiparty Is Not A Panacea": An Interview With Syl Cheyney-Coker." West Africa 3874 (1991): 2054.
Cheney-Coker, Syl. "African Artists and Mass Media." Présence Africaine 88 (1973): 59-69.
---. Bã Shiru. Madison: Department of African Languages and Literature, University of Wisconsin-Madison, 1971.
Published under the name, "Syl Cheyney-Coker".
---. The Blood in the Desert's Eyes: Poems. African Writers Series; Heinemann African Poets. Portsmouth, NH: Heinemann, 1990.
---. "Bread." New Internationalist 267 (1995): 11.
Reprint of a poem that first appeared in his third collection of poetry, Blood.
"Cheney-Coker, Syl." Cambridge Guide to Fiction in English. Ed. Iam Ousby. Cambridge: Cambridge University Press, 1998. 68.
---. "The Concert." Commonwealth Currents 4 (1996): 4.
---. Concerto For An Exile. African Writers Series 126. London: Heinemann, 1973.
---. "Exile, the Writer and the Critic." Okike 23 (1983): 2-6.
---. "Four Poems." Ba Shiru (1970-1971): 48-51.
---. "Ghetto Woman." Ufahamu 1.2 (1970): 68.
---. The Graveyard Also Has Teeth With Concerto for an Exile. African Writers Series 221. London: Heinemann, 1980.
Concerto originally published in 1973.
---. "Hydropathy, Horoscope, Environne, Lotus Eater and Absurdity." The Greenfield Review 2.3 (1972): 32-7.
Published under the name, "Syl Cheyney-Coker".
---. "Lake Fire." Toronto Review of Contemporary Writing Abroad 14.1 (1995): 43-4.
---. The Last Harmattan of Alusine Dunbar. African Writers Series. Portsmouth, NH: Heinemann Educational Books, 1990.
---. "Letter to a Tormented Playwright." Uncommon Wealth: An Anthology of Poetry Written in English. Eds. Neil Besner, Deborah Schnitzer, and Alden Turner. New York (??): Oxford University Press, 1997.
---. "Looking for the Spirit at Night." Prism International 22.4 (1984): 44.
Republication of a poem that first appeared in his second collection, Graveyard. Published here with the poem, "To Syl Cheney-Coker" by George Elliot Clarke, on the facing page.
---. "Myopia." New Poetry From Africa: A Poetry Course for Senior Secondary Schools. Eds. R. Johnson, et al. Ibadan: University Press PLC, 1996. 29-30.
---. "The Old Man: From The Years of the Barracudas." Toronto Review of Contemporary Writing Abroad 13.3 (1995): 78-84.
---. "The Philosopher." Modern Literatures of the Non-Western World: Where the Waters Are Born. Eds. Jayana Clerk and Ruth Siegel. New York: Harper Collins College Publishers, 1995. 783-4.
---. "Portrait of an Afro-American Artist." Bã Shiru (1971): 14.
---. "Powers Lost: The Destruction of Traditional Rule in Sierra Leone." Worldview 12.4 (1999): 31-7.
Accompanying photographs by Vera Viditz-Ward.
Also available online at http://www.worldviewmagazine.com/issues/fall1999/topstory.html [last accessed 12 July 2000].
---. "Religiosity and Anti-Rationalism in African Art." Solidarity (Manilla) 10.1 (1976): 93-8.
---. "Response to the Question: "South Africa: Cultural Boycott - Yes or No?"." Index on Censorship 4.2 (1975): 16-7.
---. "The Sacred River (War in Sierra Leone)." Autodafe: The Journal of the International Parliament of Writers 1 (2001): 169-85.
Includes the following poems: "Of Hope and Dinosaurs", "The Breast of the Sea" and "Blood Money" [from Stone Child].
---. "Stone Child - Manuscript.", 2000.
---. "Two Poems: Hallucination of a Refugee & War Bulletins." The Malahat Review 107 (1994): 144-5.
--. "Visions and Reflections on War: A Review of John Pepper Clark's Casualties: Poems 1966/68." Ufahamu 1.3 (1971): 93-8.
"Cheney-Coker, Syl (1945-)." Modern Black Writers: Supplement. Ed. Steven R. Serafin. New York: Continuum, 1995. 141-5.
"Cheyney-Coker, Syl." The Writers Directory, 1996-1998. 12th ed. Detroit: St James Press, 1996. 265.
"Cheyney-Coker, Syl." International Authors and Writers Who's Who. Eds. David Cummings and Dennis K. McIntire. 15th ed. Cambridge: International Biographical Centre, 1997. 116-7.
Chinweizu, ed. Voices From Twentieth-Century Africa: Griots and Towncriers. London: Faber and Faber, 1988.
Contains one previously published poem of Syl Cheney-Coker: "Peasants" (Concerto/Graveyard). Grouped with other poems under the sub-heading "Rulers and Ruled" [itself part of a larger thematic grouping titled "The Arena of Public Affairs"].
Christensen, Matthew James. "Re-Narrating Nation: Nationalist Discourse in Late-1980s Sierra Leonean Drama and Fiction.". University of California, Los Angeles, 1995.
Clarke, George Elliott. "To Syl Cheney-Coker." Prism International 22.4 (1984): 45.
---. "For Henry Dumas (1934-1968) à La Manière De Cheney-Coker." African American Review 34.4 (2000): 692-3.
Collected through EBSCO Academic Search Elite database (date accessed??).
---. "Syl Cheney-Coker's Nova Scotia, or the Limits of Pan-Africanism." The Dalhousie Review 77.1 (1997): 283-96.
Review of SCC's The Last Harmattan of Alusine Dunbar.
Cole, Ernest. "The Poetry of Syl Cheney-Coker: The Blood in the Desert's Eyes." African Literature Today 20 (1996): 151-7.
"Commonwealth Short Story Winners." New Straits Times 12 June 1996: 9.
Retrieved through Lexis-Nexis Academic Universe (date accessed?).
Cooper, Brenda. "Cultural Identity, Cultural Studies in Africa and the Representation of the Middle Passage." Transgressing Boundaries: New Directions in the Study of Culture in Africa. Eds. Brenda Cooper and Andrew Steyn. Athens: Ohio University Press, 1997. 164-83.
Originally published (jointly) by University of Cape Town Press.
---. "'The Plantation Blood in His Veins': Syl Cheney-Coker and The Last Harmattan of Alusine Dunbar." Magical Realism in West African Fiction: Seeing With a Third Eye. Brenda Cooper. London and New York: Routledge, 1998. 115-55.
With footnotes and bibliography. Part of the series, Routledge Research in Postcolonial Literatures.
---. "Syl Cheney-Coker: The Last Harmattan of Alusine Dunbar and an Interview." ALA Bulletin 20.3 (1994): 3-17.
---. "The West African Magical Realist Novel: Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar, Ben Okri's The Famished Road and Kojo Laing's Woman of the Aeroplanes." An Introduction to the African Prose Narrative. Ed. Lokangaka Losambe. Pretoria: Kagiso Tertiary, 1996. 209-42.
Dada, Segun. "Review of Syl Cheney-Coker's The Graveyard Also Has Teeth." African Literature Today 13 (1983): 240-1.
della Cava, Marco R. "A Literary Gamble: Sin City Goes for the Cultural Jackpot As a Poet's Asylum." USA Today 14 Nov. 2000: 1D.
Retrieved from Lexis-Nexis Academic Universe, 2 December 2000.
"Focus on Commonwealth Prize; TV Ontario Panel to Discuss Nominations for Prestigious Book Awards." The Ottawa Citizen 2 Nov. 1991: G9.
Fraser, Robert. West African Poetry: A Critical History. Cambridge: Cambridge University Press, 1986.
Gorman, Tom. "Unlikely Haven for a Writer." Los Angeles Times 12 Oct. 2000
Retrieved from Lexis-Nexis Academic Universe, 2 December 2000. Griffiths, Gareth. African Literatures in English: East and West. Longman Literature in English Series. London: Longman, 2000.
---. "Writing, Literacy and History in Africa." Writing and Africa. Eds. Mpalive-Hangson Msiska and Paul Hyland. New York: Addison Wesley Longman Limited, 1997. 139-58.
Gussow, Mel. "For Writers Under the Gun, A Chance to Beat the Odds." New York Times 27 Dec. 2000: B8.
Harding, Jeremy. "African Countries." The Oxford Guide to Contemporary Writing. Ed. John Sturrock. New York: Oxford University Press, 1996. 1-21.
Hemminger, Bill. "Review of Coterminus Worlds: Magical Realism and Contemporary Post-Colonial Literature in English, Elsa Linguanti Et Al. (Eds.)." Research in African Literatures 32.4 (2001): 222-3.
Izevbaye, Dan S. "West African Literature in English: Beginnings to the Mid-Seventies." The Cambridge History of African and Caribbean Literature,
Volume 2. Eds. F. Abiola Irele and Simon Gikandi. Cambridge: Cambridge University Press, 2004. 472-503.
Kamarah, Sheikh Umarr. Singing in Exile and The Child of War. Sierra Leonean Writers Series, Creative Writing 2. Schriesheim, Germany: Africa Future Publishers, 2002.
Killam, Douglas, and Ruth Rowe, eds. The Companion to African Literatures. Oxford & Bloomington: James Currey & Indiana University Press, 2000.
Entries included for both Syl Cheney-Coker and The Last Harmattan of Alusine Dunbar.
Killam, G. D. "Cheney-Coker, Syl." Encyclopedia of Post-Colonial Literatures in English, Volume 1. Eds. Eugene Benson and L. W. Conolly. London and New York: Routledge, 1994. 224-5.
Knipp, Thomas. "English-Language Poetry." A History of Twentieth-Century African Literatures. Ed. Oyekan Owomoyela. Lincoln, NE: University of Nebraska Press, 1993. 105-37.
Knipp, Thomas R. "Review of Syl Cheney-Coker's The Blood in the Desert's Eyes." African Studies Review 35.1 (1992): 136-7.
Kom, Ambroise. "Review of New Directions in African Fiction by Derek Wright and Contemporary African Fiction by Derek Wright (Ed.)." Research in African Literature 31.2 (2000): 217-21.
Review translated by R.H. Mitsch.
Larson, Charles R. The Ordeal of the African Writer. New York: Zed Books, 2001.
"The Last Harmattan of Alusine Dunbar." Publishers Weekly 237.51 (1990): 49.
Lewis, Peter. "Africa Writes Back." Stand 33.3 (1992): 74-83.
Lilleleht, Mark. "Syl Cheney-Coker." Encyclopedia of World Literature in the 20th Century, Volume 1: A-D. Ed. Steven R. Serafin. Farmington Hills, MI: St. James Press, 1999. 479-80.
Lilleleht, Mark L. "Syl Cheney-Coker." Who's Who in Twentieth-Century World Poetry. Eds. Mark Willhardt and Alan Michael Parker. London and New York: Routledge, 2000. 63.
Lindfors, Bernth. Black African Literature in English: 1977-1981 Supplement. New York: Africana Publishing Co., 1986.
---. Black African Literature in English, 1982-1986. London: Hans Zell Publishers, 1989.
---. Black African Literature in English, 1987-1991. London: Hans Zell Publishers, 1995.
---. Black African Literature in English, 1992-1996. Oxford: Hans Zell Publishers, 2000.
---. Black African Literature in English: A Guide to Information Sources. American Literature, English Literature, and
World Literature in English Information Guide Series 23. Detroit: Gale Research Company, 1979.
Cites two items on or related to SCC and his work. Listed in this volume as "Syl Cheyney-Coker" (284-5).
Maja-Pearce, Adewale, ed. The Heinemann Book of African Poetry in English. Portsmouth, NH: Heinemann, 1990.
---. "Publishing African Literature - In Pursuit of Excellence: Thirty Years of the Heinemann African Writers' Series." Research in African Literatures 23.4 (1992): 125-32.
---. Who's Afriad of Wole Soyinka? Essays on Censorship. Portsmouth, NH: Heinemann, 1991.
Moore, David Chioni. "Ousmane Sembene's Les Bouts De Bois De Dieu and the Question of Literary "Realism" - African, European, or Otherwise."
Genre: Forms of Discourse and Culture 28.1/2 (1995): 67-93.
Moore, Gerald. "African Fiction and Its Community: From Epic to Novel and Back Again." Africa, America, Asia, Australia 13 (1992): 61-71.
Moore, Gerald, and Ulli Beier, eds. The Penguin Book of Modern African Poetry. 1963. 3rd ed. New York: Penguin Books, 1984.
Nazareth, Peter. "Bringing African Literature to India." Toronto Review of Contemporary Writing Abroad 14.2 (1996): 91-7.
Review of Politics as Fiction: The Novels of Ngugi wa Thiong'o by Harish Narang and Mightier than Machete by Harish Narang (ed).
---. "Papa's Got a Brand New Bag: Current Trends in African English Fiction." World Englishes 12.3 (1993): 299-310.
---. "Something New Is Happening in African Literature." The Toronto South Asian Review 9.2 (1991): 78-84.
A review of Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar.
Nwankwo, Chimalum. ""I Is": Toni Morrison, the Past, and Africa." Of Dreams Deferred, Dead, or Alive: African Perspectives
on African-American Writers. Ed. Femi Ojo-Ade. Westport, CT: Greenwood Press, 1996. 171-80.
Nwankwo, Chimalun. "Review of Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar." African Studies Review 35.1 (1992): 134-5.
Ogundele, Wole. "Devices of Evasion: The Mythic Versus the Historical Imagination in the Postcolonial African Novel." Research in African Literatures 33.3 (2002): 125-39.
Ogunsanwo, Olatubosun. "Review of Magical Realism in West African Fiction: Seeing With a Third Eye by Brenda Cooper." Research in African Literature 31.2 (2000): 226-8.
Ojaide, Tanure. "Branches of the Same Tree: African and African-American Poetry." Of Dreams Deferred, Dead, or Alive:
African Perspectives on African-American Writers. Ed. Femi Ojo-Ade. Westport, CT: Greenwood Press, 1996. 97-106.
---. "I Want To Be An Oracle: My Poetry and My Generation." World Literature Today 68.1 (1994): 15-21.
---. "New Trends in Modern African Poetry." Research in African Literatures 26.1 (1995): 4-19.
Okafor-Newsum, Ikechukwu. "Africa in the African-American Imagination: Perspectives From the Motherland." Research in African Literatures 29.1 (1998): 219-30.
Review of Femi Ojo-Ade's Of Dreams Deferred, Dead or Alive: African Perspectives on African-American Writers.
Okpewho, Isidore, ed. The Heritage of African Poetry: An Anthology of Oral and Written Poetry. Essex, England: Longman, 1985.
Olorunyomi, Sola. "Publishing Is Dying."Lagos: Independent Communications Network, Ltd., 1994. 32-3.
Notes: Brief interview with author, Syl Cheney-Coker, Tanure Ojaide and Odun Balogun.
Osundare, Niyi. "African Literature Now: Standards, Texts & Canons." Glendora Review: African Quarterly on the Arts 1.4 (1996): 25-31.
---. "Conversation With Syl Cheney-Coker." Daily Times (Lagos) (1991): 20-1.
---. Midlife. Heinemann Frontline Series. Ibadan: Heinemann Educational Books (Nigeria), 1993.
---. "See Lagos and Die." Newswatch (Ikeja, Lagos State, Nigeria) 21.10 (1995): 8-10.
---. The Writer As Righter. Ife Monographs on Literature and Criticism 4th Series, No 5. Ife: Department of Literature in English, University of Ife, 1986.
Otiono, Nduka. The Night Hides With a Knife. Ibadan: New Horn and Critical Forum, 1995.
The story "Crossfire" (19-42) opens with an epitaph from SCC's verse ((as yet unidentified poem)): "Alone in his torment man does an ellipsoidal dance / like a demon borne on the branch of the god-tree."
Palmer, Eustace. "The Development of Sierra Leone Writing." A Celebration of Black and African Writing. Eds. Bruce King and Kolawole Ogungbesan. Zaria: Ahmadu Bello University Press, 1975. 245-57.
---. "Sierra Leone and The Gambia." European-Language Writing in Sub-Saharan Africa, Volume II. Ed. Albert S. Gérard. Budapest: Akadémiai Kiadó, 1986. 844-61.
---. "Sierra Leonean Poetry in English." The Arts and Civilization of Black and African Peoples, Volume 3: Black Civilization and Literature. Eds. Joseph Ohiomogben Okpaku, Alfred Esimatemi Opubor, and Benjamin Olatunji Oloruntimehin. Lagos: Centre for Black and African Arts and Civilization, 1986. 190-200.
---. "West African Literature in the 1980s." Matatu 10 (1993): 61-84.
Peters, Robert. "Review of Syl Cheney-Coker's The Graveyard Also Has Teeth: With Concerto for an Exile." Library Journal 105.2 (1980): 20.
Porter, Abioseh Michael. "A New 'New' Jerusalem? West African Writers and the Dawn of the New Millennium." Jouvert: A Journal of Postcolonial Studies 4.2 (2000): n.p.
Rotella, Mark. "Review of The New African Poetry, Edited by Tanure Ojaide and Tijan M. Sallah." Publisher's Weekly 246.39 (1999): 100-1.
Accessed and printed out [pdf] via the ProQuest Research Library database [1 March 2002].
Rumens, Carol. "Speak Like Rain." New Statesman & Society 3.125 (1990): 37.
Africa. Lagos: Malthouse Press Ltd, 1995.
Salt, M. J. "Review of Syl Cheney-Coker's Concerto for an Exile." African Literature Today 7 (1975): 159-62.
Senanu, K. E., and T. Vincent, eds. A Selection of African Poetry. 1976. New ed. Essex: Longman, 1988.
Contains two previously collected poems by Syl Cheney-Coker: "Freetown" & "Peasants" (Concerto/Graveyard).
Smith, Arthur E. E. "Freetown Launching: ...Last Harmattan.../...In the Desert." ALA Bulletin 17.1 (1991): 27-8.
Smith, Pamela J. Olubunmi. "Review of Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar." World Literature Today 65.4 (1991): 755-6.
Soyinka, Wole. "Arms and Arts - A Continent's Unequal Dialogue." Pretexts: Literary and Cultural Studies 8.2 (1999): 187-200.
---. "Exile." Creating Spaces of Freedom: Culture in Defiance. Eds. Els van der Plas, Malu Halasa, and Marlous Willemsen. London: Saqi Books, 2002. 25-33.
---. "Voices From the Frontier." The Guardian 13 July 2002.
Stevenson, Anne. "New Poetry." Stand 33.1 (1991): 52-7.
"Syl Cheney-Coker." Contemporary Authors, Volume 101. Ed. Frances C. Locher. Detroit: Gale Research Company, 1981. 114.
"Syl Cheney-Coker." The New African Poetry: An Anthology. Eds. Tanure Ojaide and Tijan M. Sallah. Boulder, CO: Lynne Reiner Publishers, Inc., 1999. 219-24.
Webb, Hugh. "Desperate Declamations: Globules of Anguish Strung Together As Memory." Passionate Spaces: African Literature and the Post-Colonial Context. Hugh Webb. Attadale, Australia: Postcolonial Press, 1991.
Whyte, Philip. "Gender and Epic in Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar." Commonwealth: Essays and Studies 26.1 (2003): 53-60.
Wright, Derek. "Prospective: Into the Nineties." New Directions in African Fiction. Derek Wright. New York: Twayne Publishers, 1997. 162-79.
Yesufu, Abdul R. "Beyond Nihilism: Syl Cheyney-Coker's Redemptive Resolution in Concerto for an Exile." Africa Quarterly 34.3 (1994): 132-45.
---. "A Portrait of the Poet As a Phoenix: Redemptive Death in Syl Cheyney-Coker's »Concerto for an Exile«." Zeitschrift Für Afrikastudien 17/18 (1993): 29-40.
Zell, Hans M., Carol Bundy, and Viriginia Coulon, eds. A New Reader's Guide to African Literature. 1972. 2nd ed. New York: Africana Publishing Company, 1983.
Ziebell, John. "Interview With Syl Cheney-Coker." Red Rock Review 10 (2001): 131-40.

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